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| Metrofashion
Magazine - 21st Century Fashion |
Fall
/ Winter 2003-2004 Fashion - Button Up or Tie Me Down
"We're outta here." Fall 2003 fashion proclaims the end of reflection and
the time to suit up and go. Layers are in; updated jackets are substantial
and detailed. Narciso Rodriquez shows slick black and white trenchcoats
inspired by motocross looks; Trussardi goes the other way with rust and
copper leather trenches with lace up fireman boots. Both share the message
of Fall 2003 fashion designers - the urban creature has mused for long enough.
Not that she's any less female. Laura Biagiotti shows knit creations in
cable white and dark blue that caress and comfort, with beading and trim
in purple and olive. Emmanul Ungaro sends forth his tundra warriors with
lilac impressions; Fendi presents space-age walking jackets with the illusion
of polypropylene and the very real luxury of satin. Anna Molinari presents
shimmery mini skirts with pleated horizontal satin bordering. Dirk Bikkemberg
presents sassy satin shirts for the updated wardrobe with fancy knits and
asymmetric zippered riding tops (still emphasizing the legs but with dark
tights).
The drama heightens when the coat comes off - designer collections enhance
the ribbon dress with panels and lace bordering. Corseted evening gowns
reveal the Fall 2003 underworld, where contemporary influences give way
to bordello styles reinterpreted in latex for a sportswear-obsessed culture.
Fall / Winter 2003-2004 Trend Highlights...
Japanese culture, extreme sportswear detailing, chokers and chandelier earrings,
full-length gowns, strings and straps, Las Vegas nightlife, black &
white, color block, ladies who lunch...
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| Photography ©Metrofashion
where marked. Some photos copyright and courtesy of Nataya Designs,
Balenciaga, Soye, Trussardi, Passerella. See designer website for
more information. Underworld movie photos courtesy of Sony Pictures. |
Fall/Winter
2003/04 - Jackets & Coats
Warm up to cable knit sweater coats, moto jackets and
belted winter coats
Trenchcoats are hot this fall and winter season, transforming
from summer's lightweight silks and rayons to season appropriate heavy weights
like wool, cotton, and synthetic blends. Color is toned down, with signature
palettes in greys, ochres, and browns. An indispensable fall fashion item
is the fitted canvas twill cargo blazer, in a range of subdued neutral colors.
Another key look is a cropped cable knit hoodie cardigan, layered under
a jean jacket. Accent colors add dash to cargo blazers with dusty pastels
and sparks of bright color.
Narciso Rodriguez sixties-inspired mod wool winter coats are more tailored
to the body and offer a perfect space age lift-off to Marc Jacobs spring
collection. Classic denim jackets and pea coats also continue to dominate,
especially with fur trimmed collars for colder weather. Streetwear windbreakers
and zip up jackets find a home in ski chalet chic. Other Arctic influences
include Scandinavian embroidery on suede and fleece winter coats, embellished
with Eskimo-like natural shell and wood toggle buttons.
The 1980's trend continues with layered knit blazers and cashmere sweaters
which pair well with mini-skirts. Michael Kors fur lined wool car coat with
belted waist is perfect for the work week, while his distressed leather
jacket with jewel neckline and 80's punk metal hardware is pure weekend
rebellion. The motocross look is a hip and polished trend in outerwear this
fall/winter season, with the cross stiching, graphic abstracts, and tailored
lines of the raceways.
Fit to a Tea
- Fall/Winter 2003/04
Short dresses reinterpreted by the designers
Traditionally more informal, short dresses are now sneaking
past the doorman of many formal events. And why not, considering the lush
fabrics and intricate detailing favored by today's fit and toned women.
Nicole Miller's knee-length black silk gown with antique gold has a plunging
v-neck and an exiting swish that rivals floor skimming gowns. Her shiny
crinkle wine taffeta pleated bustier mini-dress reaches to mid-thigh and
should be a staple for every Nicole Miller aficionado.
Jessica McClintock's short dresses in heavy satin with underlays of crinoline
and tulle, some going to thigh lengths, have a winter skating wonderland
appeal. Classic tea length frocks with ruched bodices and aspirin dotted
lace get a little extra fullness with a crinoline underskirt. Topped off
at the waist with a rose corsage and ribbon, these short Jessica McClintock
dresses are reminiscent of retro 1950's, but in softer fabrics and leaner
cuts. Her tea length dresses range from ankle to mid-calf. A three-quarter
cashmere cardigan and a little satin handbag is all you'll need to complete
the look of the season.
Los Angeles designer Ana Capri's light hearted circle skirts of cotton with
embroidered roses peekaboo with linings of wispy tulle in contrasting colors.
Knee-length skirts call for some serious footplay: wear with beaded sandals
or flip flops, California style, or dress it up with some ultra high heel
Mary Janes, ala New York.
For the romantic, BCBG Max Azria's under-the-knee to mid-calf designs are
dreamy in lingerie-inspired stylings and adornments. Silk charmeuse knee
length dresses highlight sensuous lace bodice trimmings. BCBG's mid thigh
mini-dresses with softly ruffled hemlines in silk chiffon prints look divine
when matched with short daywear trenchcoats.
For workday into evening, Calvin Klein has a subdued palette of knee length
skirts and mid-calf tailored suits in wines, olives, and basic black, in
easy garbadine wool and blends. As always with short dresses, elongate the
legs with complimentary colored hose and a stunning pair of high heels.
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Los Angeles Fashion
: Renée Bardot
In Renée Bardot's birthplace
of Frankfurt, Germany, her destiny was shaped at an early age as a primary
fashion leader. Simply, she played dress-up with fabric scraps in her father's
leather clothing company. It was in this arena, Renée would create elaborate
gowns and costumes by draping chiffon or other discarded fabric over her
five-year old frame. Renée's father had taken notice of his design protégé
and began to teach her everything there was to learn about the hand-sewn
coats, pants and jackets he sold and distributed throughout Germany in the
late sixties.
Aware of her talent, her father took the pre-teen Renée under his tutelage,
apprenticing the budding designer. Renée's father was a haute couture sewer
and he passed the generations-old art of creating clothing down. By twenty
was selling her designs to fashion forward stores.
Renée moved
to Amsterdam were she honed her business skills and opened her first store,
Jezebel. She then worked as an assistant to the late designer C. Gordon.
Nationally known in Germany, C. Gordon - along with his peers, Karl Lagerfeld,
Wolfgang Joop, Uta Raasch and Iris von Arnim were part of the burgeoning
German cultural Renaissance. Gordon's mastery of draping and European pattern-making
greatly influenced Renée and her designing skills took on whole new artistic
bent. read
more...
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FASHION FEATURE:
2003 EMMY AWARDS (55th ANNUAL)
Emmys
Fashion 2003...
Many of the stars at the 55th Emmy's awards show took their style queues
from the color palettes of the New York Spring 2004 fashion shows. The front
rows glowed in evening gowns of sunset hues like fuschia, mango, pinks,
and blues. Creamy neutrals also shined on award nominees Lena Olin and Jennifer
Garner of Alias, both exquisite in ivory and pale peach satin dresses.
Presenter Jeri Ryan made a dramatic entrance in her revealing silk charmeuse
evening gown of silvery cream with deep v-neck plunge. Plunging v-neck gowns,
popular last year, were back again along with a new evening trend towards
dropped waists. Dropped waist dresses accented the figures of Christina
Applegate, in a pale blue pleated chiffon formal dress by Valentino, and
Courtney Thorne Smith, in a classic Herve Leger elongated crystal tiered
black dress. Sarah Jessica Parker color-matched with husband Matthew Broderick's
dusty rose tie as she stunned the Emmy audience in a pink Chanel confection
of a ballgown. Ruched and gathered in chiffon, tulle, and sequins, the gown
had a subdued high/low hemline, showcasing her famous feet.
Debra Messing claimed her Emmy award clad in an Elie Saab evening ball gown
with sweeping back train, Jimmy Choo heels, Cartier ring, and H. Stern chandelier
earrings. Strapless and gathered at the side, the amber and copper design
of the dress perfectly framed her winning smile. Notable fashion marks for
the men went to winner Jon Stewart's trim black suit and subtly sparkling
black tie and Joe Pantoliano's vest and tie in light blue satin with white
polka dots. Gorgeous gowns and tuxedos abounded, but this year's fashion
focus at the Emmy's was all ears: dripping chandelier earrings in precious
jewels. Best chandelier earring styles included Debra Messing's triple-tiered
pink tourmaline teardrops and Jane Kaczmarek gold arabesque shoulder dusters.

Chirstina Applegate,
2003 Emmys
(Click here for
more fashion sketches) |
| 2003
EMMY WINNERS |
Outstanding
Lead Actor In A Comedy Series
Tony Shalhoub as Adrian Monk, Monk |
Outstanding
Lead Actor In A Drama Series
James Gandolfini as Tony Soprano, The Sopranos |
Outstanding
Lead Actress In A Comedy Series
Debra Messing as Grace, Will & Grace |
Outstanding
Lead Actress In A Drama Series
Edie Falco as Carmela Soprano, The Sopranos |
Outstanding
Comedy Series
Everybody Loves Raymond |
Outstanding
Drama Series
The West Wing |
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Spring Fashion / Formal
Dresses 2003
Dreaming of June...
Look for corsets and organza in 2003 formal dresses.
Classic white
formal fashions are back in 2003, along with pretty new Chanel interpretations
in black and pink. Beaded
satin blends traditional elegance with modern latino influences. Corsets
are a new twist, bringing back the feminine fiqure and providing a backdrop
for intricate brocades and embellished beadwork. While much of America is
discussing politics and the economy, some are simply dreaming of April and
June... spectacular
prom gowns and beautiful wedding dresses. |
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Oscars®
2003 Actresses show Contemporary Class
Oscars® 2003...
The 75th Academy Awards® from Hollywood Black, white, gold, and
basic reds and blushes characterized the somber Oscars® 2003 event.
Steve Martin's dry humor provided some relief to an otherwise awkward mood,
while the highlight of the evening was a touching anniversary video profile
of previous Oscars® winners going back 70 years. Salma Hayek was charming
in a simple black lace sleeveless blouse (see fashion sketch) with white
satin a-line skirt. Nicole Kidman won Best Actress for her role in The Hours,
as she appeared stunningly dressed in a black gown with fabric flairs. Renee
Zellweger was brilliant in a red two piece dress with sheer spaghetti strap
top and flowing chiffon train. Queen Latifa donned satin and lace in silverish
blue in what looked to be the most contemporary gown design at the Academy
Awards® evening. Jennifer Garner and Marcia Gay Harden continued their
trend-setting ways, Garner in a romantic prom-savvy beaded ivory dress with
cyan undertones and Gay Harden is a smart turquoise wrap dress with a shoulder
fabric salute. One of our favorites was a tea-length black and pink checkered
party dress worn by Ana Claudia Talanco; definitely on the formal fashion
pulse of Spring 2003.

Salma Hayek from
Oscars® 2003
(Click here to
see more fashion sketches...) |
| WINNERS |
|
Best
Motion Picture
Chicago,
Martin Richards |
Best
Leading Actor
Adrien
Brody, The Pianist |
Best
Cinematography
Road
to Perdition, Conrad L. Hall |
Best
Leading Actress
Nicole
Kidman, The Hours |
Best
Writing - Adapted
The
Pianist , Ronald Harwood |
Best
Supporting Actor
Cris
Cooper, Adaptation |
Best
Writing - Original
Talk
to Her, Pedro Almodóvar |
Best
Supporting Actress
Catherine
Zeta-Jones, Chicago |
Best
Film Editing
Chicago,
Martin Walsh |
Best
Director
Roman Polanski, The Pianist |
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Metrofashion
Magazine - 21st Century Fashion
The fashion world like other modern cultural communities was forever
changed on September 11, 2001, with the tragic attacks on the World Trade
Center in New York City. The transformation of Western society from the
extravance of the 1990s to the new sobriety of 2002 ushered in the dominant
themes of 21st Century Fashion, namely New Family Values, Smart and Chic
Public Life, and Science Fiction Sleek. Metrofashion, like other fashion
magazines, was talking about these changes even before 9/11, and the event
served to accelerate the trends. Read more about these trends in the Fall
2001 fashion report:
New Family Values Realignment of existing
institutions occurred as well. The aftershocks of September 11th resulted
in a reaffirmation of family values in America, albeit new "family" units.
Family once defined as two parents, two kids, and the pet, was now frozen
as two, three, or more committed as soulmates irrespective of gender, race,
or sexual preference...
Smart, chic public life.
In our flight from the falling steel morass and our subsequent emotional
outpouring in the media, we are chic. Smartly dressed, well-spoken, even
fashion-aware as evidenced by Barry Bonds' wife during Bonds' record-breaking
baseball season. Our politicians, law enforcement and justice representatives,
servicemen, and investigative reporters, are ship-shape and wrinkle-free,
clad in microfiber, pique cotton, and suede. Coming at us from New York,
Washington, London, Pakistan, ...
Science Fiction Sleek With the passing
of the Age of Innocence we also see the passing of the age of Victorian
fashion excess. In its place, the surprising rise of science fiction themes
has been institutionalized by the ever-present media images of firemen in
space-age uniforms, bio-scientists combing white-collar office places, and
regular citizens pocketing and brandishing cell phones, camcorders, and
wired clothing |
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Metrofashion Fall &
Winter 2002-2003 - American Classic
Fall/Winter
2002-03 Fashion - American Luster and Lace
The
Fall/Winter Collections of 2002-03 represent the first fashion collections
created since the tragic events of last September 11, and they encompass
significant changes in design, textures, and above all, color. Fashion designers
struggled with the very meaning of fashion as they developed their fall
collections. The outcome of their musings influence us on a very personal
level; we'll walk, work, love and live in these clothes. As they make their
way from the catwalk to our wardrobes, there is a strong sense of connectivity:
from tragedy and introspection to renewed creative purpose. The fall fashion
trends acknowledge the country's solidarity and spirit in ways that past
collections never have. The three major fashion trends this season:
Romantic Rhapsody
The boho looks of spring and summer have solidified into the more elegant
rendition of romantic rhapsody in muted satins and softly layered chiffons.
Tender peasant blouses are still the rage, updated with additional embellishments
of velvet ribbons, beads and leather detailing. Blumarine Fall 2002 is a
good example. The romantic woman has plenty to choose from in the fall/winter
Blumarine fashion collection. Make room in your closet for vintage-inspired
streetwear, folkloric daywear, flapper-esque cocktail dresses, and ruffled
and flowing evening gowns in dark purples, corals, and mineral blue. Fashion
designer Beccaria dances the romantic rhapsody in ample layers of subtly
printed chiffon gowns and train length satin dresses. Fall and winter tones
are soft ivory, cream, and frothy blues, heightened with cherry pinks and
dusty lilacs. This season's fixation is winter white and Beccaria
easily captures the sweet side of the winter palette with milky, kitten-soft
sweater coats and ivory brocade jackets. The waistline is emphasized with
empire satin sashes, thin leather cord belts, and torso elongating flapper
dresses worn over boot cut pants.
Luster and Lace
What's a metro girl without a little vamp and tramp? Knee-length pencil
skirts and corset tops make the perfect entrance into fall and winter fashion
territory. Black matte fabrics and lace are the choices here - the focal
point should be your new Gucci cross necklace. Metallic fabrics shimmer
and illuminate the skin and hair and make a festive statement at special
occasions. For everyday, try small splashes of liquid gold and gun metal
silver in the form of beaded scarves, metal-mesh handbags, or laden shoes.
American Classic
Classic simplicity is a hallmark of American fashion, and in the Fall/Winter
02-03 season it's a veritable tour de force. Major runway trends include
winter whites and soft neutral palettes in deep browns and camels, sparked
up with textural croc, faux fur, leather, and chunky, marled knits. Dark
reds and deep blue-greys round out the palette of the season. Look for rich
burgundies and navy tones in evening gowns and formal wear, as well as shearling
and fur coats. Not only are these colors conducive to the nesting mentality
so prevalent today, they are a nod to our patriotic heritage. The classic
weekend staple? A crisp white shirt, a slim cut vest, and a boxy sweater
paired with high waist denim jeans (yes, they're staging a comeback) and
lace up leather heeled boots. The Gianfranco Ferré collection captures
the Fall 2002 fashion trends with its burnt caramel pencil skirts and ruched
leather tops, off-shoulder little black dresses, and eclectic crocheted
and knitted evening gowns. The modern business woman power lunches in the
designer's gabardine cinched high-waisted pants in winter shades of ombre
gray and matte black. After a long day at the boardroom, she's warmly dressed
for a ferry ride across the bay in Ferré's nostalgic winter coat,
with lapels flared wide in post W.W.II fashion. |
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What's
Hot? Fall
& Winter 2002-2003
New
York Fashion Shows from Bryant Park, 54th
Annual Emmy Awards - Emmys fashion; Fashion
Week of the Americas in Miami with top Latin American and Caribbean
fashion designers; Hong
Kong Fashion Week; Melbourne
Fashion Festival and designers from RMIT
University. Magic
Las Vegas and the WWDMagic
tradeshow; Turkish
Ready to Wear brands; Paris Fashion Week from modeaparis.com;
Academy
of Art fashion in San Francisco; Florida
State Department of Textiles; Kent
State University School of Fashion Design and Merchandising; Ultrasuede®
from Toray Industries; Tiger
Button for urea, polyester, metal buttons and accessories; Baum-Essex
designer handbags and consumer products; Saxon
Textile for poplin, twill, duck, and nylon fabrics; fashion house of
Byblos (Genny); Claire
Pettibone couture, and Sloan
Boutique in Charlotte, North Carolina, USA. Toronto
Fashion Week, sponsored by Fashion
Design Council of Canada and L'Oréal Professionnel, with fashion designers
Catherine Yolles, Eryn Reid, and more; Nina
Designs (couture, bridal) of Toronto, Canada. Bridal styles in Formalwear,
Summer bridal event designs - sweetheart
pearl dress, latest fashion sketches, including depictions of Blumarine
sheer and Balenciaga corset - Register
for Metrofashion User ID, login
to the
Fashion Workbench; D
Magazine from Dallas, Valentines thoughts from Bonjour
Paris online; OfficielNews.com
(french), Luxury
websites, Fashion
jewelry ; Supermodel Elsa
Benitez in SI Swimsuit 2001.
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Metrofashion Advertising
Fashion Feature : Fashion Promotes New Hygiene Products
Wrigley to Eclipse Competition
with Fresh Breath in a Flash
September 2002 (Newstream)
-- Consumers across the country have a great tasting breath freshening
alternative with Eclipse Flash Strips®, the newest entry into the projected
$300 million* breath strip category and the first non-chewing gum product
to be released under the Wrigley banner in the 111-year history of the
Wm. Wrigley Jr. Company (NYSE: WWY).
Portable and discreet,
new Eclipse Flash Strips are available in cinnamon and peppermint flavors
(stay tuned for spearmint in January 2003) at a suggested retail price
of $1.49 (24 strips). In head-to-head taste tests, Eclipse Flash Strips
held the taste advantage, as they were significantly preferred over competitors.
But Eclipse Flash Strips are more than just great tasting - the convenient
strips instantly deliver fresh breath for the discriminating, time-starved
consumer. Whether at school, work, home or play, the powerfully great
taste of Eclipse Flash Strips immediately invigorates your breath - anytime,
anywhere.
The Wm. Wrigley Jr.
Company will kick off the launch of Eclipse Flash Strips with "Beyond
Breath," a more than $50 million integrated-marketing campaign, which
includes:
- Television, print
and out-of-home advertising featuring actress Thora Birch and music
artist Res;
- Celebrity seeding
program to place Eclipse Flash Strips into the hands (and mouths) of
Hollywood's hottest stars;
- Partnership with
Gen Art, a leading non-profit arts organization, to offer grants to
emerging artists; and
- Widespread sampling
to drive awareness and trial of Eclipse Flash Strips, including a partnership
with United Airlines for distribution on all domestic flights.
"With this exciting
multi-faceted campaign, we're confident that Flash Strips will build on
the Eclipse brand's already significant equity, making it Wrigley's first
ever cross-category mega brand," remarked Kathryn Olson, vice president
U.S. consumer marketing, Wm. Wrigley Jr. Company. "With both breath strip
and gum offerings, we are positioning the Eclipse brand to be a market
leader in the confections breath freshening category."
Advertising
When
your breath isn't fresh, you're aware of it. It nags at you. You're self-conscious
about it. The idea behind the campaign for new Eclipse Flash Strips is
that when you eliminate what's on your breath, you are free to focus on
your aspirational interests: Your work, your life and your dreams.
Partnerships, Celebrity
Seeding, Sampling
In celebration and
support of the creative arts, Eclipse Flash Strips will partner with Gen
Art to award up to $60,000 in "Eclipse Flash: Fresh Talent Grants." A
panel of celebrity judges, including Thora Birch, Res and performance
artists The Art Guys, will award grants to finalists selected through
Gen Art-juried shows including: Emergence 2003 (visual arts), Styles 2003
(fashion), the Gen Art Film Festival and a DJ search.
"Gen Art is very
excited about Eclipse Flash Strips' commitment to emerging talent and
to our 2003 programs," said Ian Gerard, executive director and founder
of Gen Art. "In addition to funding these important initiatives, Eclipse
Flash is directly supporting the creative endeavors of the next generation
of talent through the Fresh Talent grants."
Eclipse Flash Strips
are popping up at production sets, Hollywood parties and award shows like
the Primetime Emmys where actors such as Bradley Whitford (West Wing),
Jennifer Garner (Alias) and Bernie Mac (The Bernie Mac Show)
received Eclipse Flash Strips as part of a "Red Carpet Survival Kit."
Shannon Elizabeth
of American Pie fame and her husband Joe Reitman exclaimed, "That's
the bomb," when they tasted the cinnamon Eclipse Flash Strips. Carmen
Electra (Scary Movie) enthused, "Eclipse Flash taste much better
(than Listerine PocketPaks) - they have a great flavor."
Many celebrities already
have requested a year's supply, including: Martin Sheen (West Wing),
Shannon Elizabeth, Eva Amurri (Susan Sarandon's daughter and co-star in
The Banger Sisters), Olympic figure skater Michelle Kwan, pro-skateboard
sensation Tony Hawk, Hal Sparks (Queer as Folk), Randy Jackson
(American Idol), and Michelle Trachtenberg (Buffy the Vampire
Slayer).
To enhance the Eclipse
Flash Strips hand-to-hand sampling program, The Art Guys will design a
unique approach to product distribution. Street performers in select markets
will don sculptured costumes incorporating the red and blue Eclipse Flash
forms to deliver product samples via scenarios and vignettes as conceived
by The Art Guys.
About the Wm. Wrigley
Jr. Company
The Wm. Wrigley Jr.
Company is the world's largest manufacturer and marketer of chewing gum
and a recognized leader in the confectionery business, with global sales
of nearly $2.5 billion. For more information, please visit www.Wrigley.com.
*Based on current
IRI trends
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Metrofashion Valentines
Feature : Gourmet Valentine Foods
The Way to the Heart
is Through the Stomach (with Gourmet Food)
January 2003 (Newstream)
-- Roses are passé; People are choosing Valentine's Day gifts that are
new, unique to show their love.
GourmetFoodMall
(www.gourmetfoodmall.com)
has unique Valentine's Day offerings:
- Peppadew Truffles:
rich, creamy chocolate-flavored truffle fillings blended with a
puree of sweet, tangy, spicy Peppadew pepper-the first new fruit discovery
since the kiwi 26 years ago. Peppadews are a new and unique fruit from
South Africa.
- French Champagne
Cognac Chocolates: chocolates with a fine quality French champagne
cognac embedded in the middle. No one else in the country creates liquid
center chocolates using this European confectionery art form.
- Deluxe Backpack
for Two: a romantic picnic wrapped with a bow. This deluxe backpack
includes everything a Valentine needs: an insulated food compartment;
a detachable, insulated wine pouch; plates; wine glasses; utensils;
corkscrew; cutting board; cheese knife; salt and pepper shakers and
napkins. Valentines can even fill the food compartment with the site's
extensive gourmet food selection.
- Trufflecots:
jumbo Australian glazed apricots with a bittersweet truffle center covered
in dark, imported chocolate. These are addictive apricots.
And, how this year's
Valentine's shoppers can get these items is new, too. And
for those whose shopping techniques need some refining, GourmetFoodMall
has hand picked more than 100 of the best gifts to offer this Valentine
season. From sinful chocolates to great kitchen gadgets, shoppers will
find all they need in the GourmetFoodMall Valentine Day Gift Finder.
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Metrofashion Teen
Feature : American Idol Signature Fashion
JAKKS Pacific Signs License
for American IdolTM
January 2003 (Newstream)
-- JAKKS Pacific, Inc. (Nasdaq NM: JAKK) announced that the Company has
signed a multi-category licensing agreement with FremantleMedia for American
IdolTM.
JAKKS Pacific's Flying
Colors® division will launch a full line of fashion and beauty accessories
in Spring 2003. A line of American Idol branded stationery including
portfolios, binders and writing instruments for back-to-school 2003 will
follow. The fashion and beauty accessories, targeted to "tweens," are
scheduled to launch in January 2003 to coincide with the launch of the
second season of American Idol. Under this new license, the Flying
Colors line will feature cosmetics, hair accessories, fashion activity,
body art and stationery products.
American
Idol is a music reality program that empowers viewers to discover
America's next solo superstar. During the show, competing hopefuls perform
their favorite songs for a panel of expert industry judges - Simon Cowell,
Paula Abdul and Randy Jackson -- and for the home voting audience. America
votes weekly for their favorite performers, eventually narrowing down
the competition to two finalists who compete for a major recording contract
and the "American Idol" title. The second season begins with a two-part
premiere Tuesday, Jan. 21 (8:00-9:30 PM ET/PT) and Wednesday, Jan. 22
(8:30-10:00 PM ET/PT) on FOX.
"As one of the hottest
reality shows on television, American Idol is well positioned for
success at retail," said Jennifer Richmond, Vice President of Licensing,
JAKKS Pacific. "With young people across the nation aspiring to be super
stars, we think American Idol's young fans will be excited to emulate
the glamorous look of the show and its contestants at home."
FremantleMedia, formerly
known as Pearson Television, is one of the largest international producers
of entertainment and drama programs in the world, producing more than
260 programs in over 39 countries. FremantleMedia's international distribution
division distributes 19,000 hours of programs to 150 countries worldwide.
FremantleMedia is the content business production arm of the RTL Group,
Europe's largest television and radio broadcast company, with interests
in 23 television channels and 14 radio stations in nine European countries.
RTL Group is part of Bertelsmann AG, an integrated media and entertainment
company that commands leading positions in the world's major media markets.
American IdolTM
19 TV Ltd and FremantleMedia Operations BV. Based on the TV program 'American
Idol - The Search for a Superstar' produced by FremantleMedia North America
and 19 TV Ltd. Licensing by Fremantle Brand Licensing.
19 Entertainment,
founded by Simon Fuller, is the creator of "Pop Idol," the format on which
"American Idol" is based. 19 is known for many leading music artists,
such as Annie Lennox, the Spice Girls and S Club, and whose activities
encompass movies, TV, video/DVD, internet and commercial relationships
- see www.19.co.uk.
JAKKS Pacific, Inc.
is a multi-brand company that designs and markets a broad range of toys
and leisure products. The product categories include: Action Figures,
Arts & Crafts Activity Kits, Stationery, Writing Instruments, Performance
Kites, Water Toys, Sports Activity Toys, Vehicles, Infant/Pre-School,
Plush and Dolls. The products are sold under various brand names including
Flying Colors®, Road Champs®, Remco® Child Guidance®,
Pentech®, Trendmasters®, Toymax®, Funnoodle® Laser
ChallengeTM and Go Fly a KiteTM.
The Company also participates in a joint venture with THQ Inc. that has
exclusive worldwide rights to publish and market World Wrestling Entertainment(tm)
video games. For further information, visit www.jakkspacific.com.
Contacts: Genna
Goldberg, JAKKS Pacific, Inc.
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What's
Hot? Spring & Summer 2002
Fashion
Week of the Americas in Miami with top Latin American and Caribbean
fashion designers; Hong
Kong Fashion Week; Melbourne
Fashion Festival and designers from RMIT
University. Paris Fashion Week from modeaparis.com;
Academy
of Art fashion in San Francisco; Florida
State Department of Textiles; Kent
State University School of Fashion Design and Merchandising;
Ultrasuede® from Toray Industries; Tiger
Button for urea, polyester, metal buttons and accessories; Baum-Essex
designer handbags and consumer products; Saxon
Textile for poplin, twill, duck, and nylon fabrics; fashion house of
Byblos (Genny); Claire
Pettibone couture, and Sloan
Boutique in Charlotte, North Carolina, USA. Toronto
Fashion Week, sponsored by Fashion
Design Council of Canada and L'Oréal Professionnel, with fashion designers
Catherine Yolles, Eryn Reid, and more; Nina
Designs (couture, bridal) of Toronto, Canada. Bridal styles in Formalwear,
Summer bridal event designs - sweetheart
pearl dress, latest fashion sketches, including depictions of Blumarine
sheer and Balenciaga corset - Register
for Metrofashion User ID, login
to the
Fashion Workbench; D
Magazine from Dallas, Valentines thoughts from Bonjour
Paris online; OfficielNews.com
(french), Luxury
websites, Fashion
jewelry ; Elsa
Benitez in SI Swimsuit 2001.
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Metrofashion Fall 2001
Fashion - Modern Reality
The
New (1990s) Rules Don't Apply - Watching the movie Serendipity
(©2001 Miramax Films) in October of 2001 is like watching a home video
of a story from another time; a time before the tragic terrorist attacks
of September 11th. Serendipity is a romantic comedy about the human desire
for destiny fulfillment in our search for love. Underneath, the movie is
a classy, chic romp through modern innocence in the age of American prosperity.
The lead couple, Jonathan Trager (played by John Cusack) and Sara Thomas
(Kate Beckinsale) are attractive, successful, even witty characters made
out to be your average young American adults affected by infatuation. Yet
their journey is alive with scenes of runway fashion, contemporary designer
home accents, and intellectual references to literature and theater.
Jonathan and Sara are portrayed as common Westerners, beautiful people with
sophisticated, luxurious lives and crisp, tailored personalities. If only
those images had appeared before the collapse of WTC Tower I and Tower II,
perhaps the love story would have connected to the aspirations of a young
America looking for new mythologies. The opportunity to believe again, for
the first time since the roaring 1920s, that life would always be good.
Alas, wrapped in the dense mental imagery of churning smoke and ash from
September 11th, Serendipity is like a dream remembered from an unblemished
youth. And a lasting documentation of the hopeless romantic in all Americans
that existed until the Fall Season of 2001.
Fashion is no exception; in fact, fashion itself may be the most accurate
metaphor of the transformation of our culture resulting from the terror
attacks. The fashion media has been confused, self-deprivating, and horrified
to the point of stupefaction, while the retail market has caved from the
devastating impact of the shift in American values from frivolity to resolution.
While the editors, marketers, and pundits profess the "triviality" of their
own field of expression, the buyers, designers, and manufacturers struggle
to find new models of sellable identity. Will the post-tragedy professional
woman forego sashes and corsages for masculine silhouettes? Is there anymore
an appetite for slashed, ripped, and torn? Will the Sara Thomas' of the
old economy indulge their BCBG field trips in the new sobriety? The
answers to these questions foreshadow the modern societal issues of reduced
civil liberties in the name of security, the credibility of media as a voice
for and mentor to citizens, and the commitment of consumers to lead the
economic recovery of the technology industry.
In other words, some new rules set in the 1990s don't apply anymore. The
new rules of (a) capitalism conquering the business cycle, (b) conspicuous
consumption as a patriotic pursuit, and (c) justifiable reckless abandonment
of the frugal lifestyles of our forefathers in the name of marketing differentiation.
Death of the 1990s euphoria happened on September 11th, not in February
of 2001 (i.e. the Internet crash) as many economic experts proposed. We
still had hope in August that the great American capitalist engine would
gather steam and chug back into its former glory. That ended when we all
watched the towers fall and realized that our backsides were not protected
while our frontside was expanding.
New Family Values Realignment of existing
institutions occurred as well. The aftershocks of September 11th resulted
in a reaffirmation of family values in America, albeit new "family" units.
Family once defined as two parents, two kids, and the pet, was now frozen
as two, three, or however many close companions committed as soulmates irrespective
of gender, race, or sexual preference. Everyone wanted to be close to family
again, now widely recognized and accepted as the home companion, and the
dependent children or elderly. Nesting instincts, mothering protection,
local boys or girls as daredevil-firefighting, emergency-rescuing, recovery-managing
heroes. Confined to our local lifestyles and deprived of our jet-setting
professional pursuits, we searched for meaning and purpose, and found it
in family preservation. With the caveat that what was being preserved was
the new American family, an entirely modern definition that at once separates
our culture from Third World homogeneous societies like Aphganistan, and
puts a solid character profile on the beautiful images of America projected
to the rest of the world by television and Hollywood.
Smart, chic public life.
In our flight from the falling steel morass and our subsequent emotional
outpouring in the media, we are chic. Smartly dressed, well-spoken, even
fashion-aware as evidenced by Barry Bonds' wife in the heyday of Bonds'
record-breaking baseball season. Our politicians, law enforcement and justice
representatives, military servicemen, and especially, our investigative
reporters, are ship-shape and wrinkle-free, clad in microfiber, pique cotton,
and suede. Coming at us from New York, Washington, London, Pakistan, China,
and anywhere in the world where Americans step up to the camera. We look
good. Even our children reciting the Pledge of Allegiance and respecting
the billowing flag don Oxford jackets and empire waist prints. Fashion in
American mainstream life, once a pale second cousin to European refinement,
has emerged to frame the modern citizen as stylish and hip. Even in the
face of disaster. Especially in the face of terror. We are defiantly
fashionable, practical in taste and resolute in presentation. If our nation
is to be attacked because of its prosperity, then we shall wear our fine
fabrics while meeting that attack.
Science Fiction Sleek With the passing
of the Age of Innocence we also see the passing of the age of Victorian
fashion excess. Fluffy cuffs, voluptuous layers of tulle, and flumes, feathers,
and finery have moved to special interest status in the fashion survey.
In its place, the surprising rise of science fiction themes has been institutionalized
by the ever-present media images of firemen in space-age uniforms, bio-scientists
combing white-collar office places, and regular citizens pocketing and brandishing
cell phones, camcorders, and wired clothing to capture it all in real-time.
If the fashion world had any presumptions about ignoring the techfashion
world introduced by the prosperous geeks of the 90s and preserved in the
youth culture of the new millenium gameboxes, that became impossible in
the days after September 11th, when our physical lives were filled with
"real world" images seen before only in virtual scapes or in space travel
and espionage settings. Within days of the tragedy, news casts showed us
the grizzly parallels between PC-based flight simulation games of destruction
and the real flight horrors of the WTC attacks. All of the fashion foreplay
set in motion in the 1990s by new media proliferation, exotic adventure
travel, and especially, science fiction commodity entertainment, came together
in those brief few moments when steel-on-steel horror focused the world's
attention on the dark side of modernity. Where the 20th century saw the
culmination, distribution, and celebration of Victorian pomp, the 21st century
now enters the "Starship Troopers" era in fashion. |
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| | | copyright created: 2004-09-06 |
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